{"id":1128,"date":"2021-01-18T11:51:58","date_gmt":"2021-01-18T10:51:58","guid":{"rendered":"http:\/\/www.alain-gabriel-bouvier.art\/?page_id=1128"},"modified":"2021-02-16T08:49:25","modified_gmt":"2021-02-16T07:49:25","slug":"la-vie","status":"publish","type":"page","link":"https:\/\/www.alain-gabriel-bouvier.art\/index.php\/la-vie\/","title":{"rendered":"5-La vie"},"content":{"rendered":"

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La vie<\/p>\n

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La vie, maintenant, c\u2019est l\u2019ouverture spontan\u00e9e de la nature enti\u00e8re. L\u2019ouverture spontan\u00e9e de la nature, c\u2019est la vie, maintenant. La vie ne vient pas, la vie ne s\u2019en va pas. La vie n\u2019appara\u00eet pas, la vie ne devient pas. Et pourtant, la nature na\u00eet \u00e0 chaque instant, la nature meurt \u00e0 chaque instant.<\/p>\n

Extrait du sh\u00f4b\u00f4genz\u00f4, zenki<\/em>, de Dogen, traduction Charles Vacher, \u00e9ditions encre marine.<\/span><\/p>\n

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Dessin<\/h1>\n

something everything<\/span> anything anywhere everywhere this here to be all ways to be,<\/p>\n

Herman De Vries, to be all ways to be<\/em>, \u00e9d cees de boer, colin huizing, pavillon des Pays-Bas, biennale d\u2019art 2015, Venise.<\/span><\/p>\n

 <\/p>\n

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Tondo la vie<\/h1>\n

Et pourtant ce monde tourne.<\/span> C\u2019est en nous qu\u2019il continue de tourner, oubli\u00e9 – inoubliable depuis toujours.<\/p>\n

Exercice de la peinture<\/em>, Jean Bazaine, \u00e9ditions du Seuil<\/span><\/p>\n

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La vie comme elle va<\/h1>\n

Toujours se poser la question<\/span> de notre rapport \u00e0 la r\u00e9alit\u00e9, \u00e0 notre r\u00e9alit\u00e9, \u00eatre comme une sentinelle, attentif au bruissement et \u00e0 la palpitation du monde et de sa lumi\u00e8re\u2026<\/p>\n

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Poissons<\/h1>\n

\u00ab\u00a0\u00catre comme un poisson dans l\u2019eau\u00a0\u00bb<\/span> dit-on, mais dans quelle eau ?<\/p>\n

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Figuration critique<\/h1>\n

Figuration critique, une rencontre.\u00a0<\/strong><\/span>En 1985 apr\u00e8s une exposition de groupe \u00e0 la galerie Troy, rue Jacob, un ami graveur m\u2019invite pour une exposition de groupe au FIAP, j\u2019y expose le grand triptyque \u00abInd\u00e9finiment\u00bb S\u2019en suit une rencontre, avec Mirabelle Dors, peintre ayant appartenu au groupe surr\u00e9aliste belge, qui pr\u00e9side \u00e0 Paris le salon \u00ab\u00a0Figuration Critique\u00a0\u00bb\u00a0avec son mari le peintre Maurice Rapin et le peintre Yak Rivals. Mirabelle Dors qui a remarqu\u00e9 cette peinture, m\u2019invite \u00e0 exposer au salon. J\u2019ai particip\u00e9 pendant quelques ann\u00e9es jusqu\u2019\u00e0 ce salon disparaisse faute de lieu o\u00f9 exposer, le b\u00e2timent du Grand Palais devenant quelque peu dangereux faute d’entretien (d\u00e9j\u00e0 !).<\/span><\/p>\n

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Les murs peints<\/h1>\n

Pas encore le \u00ab\u00a0street art\u00a0\u00bb\u2026<\/span><\/p>\n

L\u2019art public s\u2019oppose radicalement \u00e0 la commercialisation de l\u2019art et \u00e0 l\u2019accaparement de la cr\u00e9ation par une petite minorit\u00e9. Siqueiros n\u2019a eu de cesse de d\u00e9noncer les effets pervers du march\u00e9 de l\u2019art et la d\u00e9pendance des artistes par rapport \u00e0 un tel syst\u00e8me. Face \u00e0 cette situation, l\u2019art public porte en lui m\u00eame une revendication d\u2019\u00e9mancipation. Il a partie li\u00e9e avec l\u2019engagement social des artistes.<\/p>\n

Le mouvement muraliste aux Etats-Unis,<\/em>\u00a0Herv\u00e9-Armand BECHY<\/p>\n

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Encre et papier<\/h1>\n

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Sirius<\/h1>\n

M\u00eame si le chien, m\u00eame si le loup<\/span>,<\/p>\n

ou\u2026parce que\u2026<\/p>\n

et aussi \u00e0 cause des oiseaux\u2026<\/em><\/p>\n

et de la circulation du sang, de la s\u00e8ve,<\/em><\/p>\n

racines et veines.<\/em><\/p>\n

Grav\u00e9s les uns dans les autres.<\/em><\/p>\n

Parmi.<\/em><\/p>\n

Fran\u00e7oise Delorme, Po\u00e8mes.<\/span><\/p>\n

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Les grues<\/h1>\n

Pour la gravure en couleur<\/span>, une exp\u00e9rience apr\u00e8s la d\u00e9couverte de la technique du \u00ab\u00a0bois ou du lino perdu\u00a0\u00bb lors de la visite d\u2019une exposition de grande qualit\u00e9 \u201cNature de graveurs<\/em>\u201c au mus\u00e9e d\u00e9partemental breton \u00e0 Quimper en 2015\u2026 Un Finist\u00e8re riche d\u2019artistes\u2026<\/p>\n

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Arts A<\/h1>\n

Ecole des Arts appliqu\u00e9s<\/span> (d\u2019o\u00f9 le A), rue Dupetit – Thouars \u00e0 Paris 3 \u00e8me, Ecole qui a pr\u00e9c\u00e9d\u00e9 la fondation de l\u2019Ecole Nationale Sup\u00e9rieure des Arts Appliqu\u00e9s et des M\u00e9tiers d\u2019Art, rue Olivier de Serres Paris 15 \u00e8me (apr\u00e8s sa fusion avec l\u2019Ecole des m\u00e9tiers d\u2019art).<\/p>\n

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La vieLa vie, maintenant, c\u2019est l\u2019ouverture spontan\u00e9e de la nature enti\u00e8re. L\u2019ouverture spontan\u00e9e de la nature, c\u2019est la vie, maintenant. La vie ne vient pas, la vie ne s\u2019en va pas. La vie n\u2019appara\u00eet pas, la vie ne devient pas. Et pourtant, la nature na\u00eet \u00e0 chaque instant, la nature meurt \u00e0 chaque instant. Extrait […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1128","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.alain-gabriel-bouvier.art\/index.php\/wp-json\/wp\/v2\/pages\/1128","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.alain-gabriel-bouvier.art\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.alain-gabriel-bouvier.art\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.alain-gabriel-bouvier.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.alain-gabriel-bouvier.art\/index.php\/wp-json\/wp\/v2\/comments?post=1128"}],"version-history":[{"count":53,"href":"https:\/\/www.alain-gabriel-bouvier.art\/index.php\/wp-json\/wp\/v2\/pages\/1128\/revisions"}],"predecessor-version":[{"id":1579,"href":"https:\/\/www.alain-gabriel-bouvier.art\/index.php\/wp-json\/wp\/v2\/pages\/1128\/revisions\/1579"}],"wp:attachment":[{"href":"https:\/\/www.alain-gabriel-bouvier.art\/index.php\/wp-json\/wp\/v2\/media?parent=1128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}