[et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bbrgba(0,0,0,0)\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bbrgba(50,50,50,0.85)\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbTrebuchet||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#ffffff\u00a0\u00bb text_font_size=\u00a0\u00bb24px\u00a0\u00bb text_line_height=\u00a0\u00bb1.72em\u00a0\u00bb header_font=\u00a0\u00bbTrebuchet||||||||\u00a0\u00bb header_text_align=\u00a0\u00bbcenter\u00a0\u00bb header_text_color=\u00a0\u00bb#e09900″ header_font_size=\u00a0\u00bb65px\u00a0\u00bb background_color=\u00a0\u00bbrgba(0,0,0,0)\u00a0\u00bb text_orientation=\u00a0\u00bbjustified\u00a0\u00bb background_layout=\u00a0\u00bbdark\u00a0\u00bb width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1920px\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
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Comment \u00e9voquer par quelques images l\u2019ambiance d\u2019un espace de 8 m sur 8 m dans lequel les quatre triptyques sont dispos\u00e9s chacun sur un mur tendu de \u00abpendrillons\u00bb noirs. Au centre de cette salle est situ\u00e9e une colonne form\u00e9e de quatre kak\u00e9monos sur lesquels sont dispos\u00e9s les textes de Fran\u00e7oise Delorme, chacun d\u2019entre eux d\u00e9di\u00e9 \u00e0 chaque triptyque leur faisant face. Chaque \u00e9l\u00e9ment visuel de cette installation \u00e9tant \u00e9clair\u00e9 par un projecteur. Une composition sonore r\u00e9alis\u00e9e par Victor Beuret est diffus\u00e9e en quadriphonie par internitence.<\/p>\n
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Le fait que l\u2019espace mis \u00e0 ma disposition pour cette performance\u00a0 soit une compagnie de th\u00e9\u00e2tre (l\u2019Atelier de l\u2019Exil) n\u2019est peut \u00eatre pas un hasard, \u00abCes institutions ont pour vertu premi\u00e8re de rassembler et d\u00e9crocher un public de ses passions et int\u00e9r\u00eats quotidiens pour l\u2019\u00e9lever vers des actes symboliques et des gestes f\u00e9d\u00e9rateurs, dans un endroit o\u00f9 s\u2019exerce \u00e0 plein la puissance des images et des mots \u00bb Samuel Cordier<\/em>, Oreiller d\u2019herbes, texte critique. 31 mai 2022.<\/em><\/p>\n Pour ma part il est tr\u00e8s important de trouver un lieu d\u2019exposition facile d\u2019acc\u00e8s pour le public o\u00f9 toute id\u00e9e d\u2019\u00e9litisme est abolie.<\/p>\n Le dispositif d\u00e9crit en introduction offre une autre dimension sensorielle \u00e0 ce public en immersion que je nomme \u00abregardeur *\u00bb. Dans sa contemplation, en \u00e9cho, lui sont offert la po\u00e9sie de Fran\u00e7oise Delorme et la composition sonore de Victor Beuret, ce qui ne fait que d\u00e9cupler sa sensibilit\u00e9. (Textes et composition sonore ayant \u00e9t\u00e9 cr\u00e9\u00e9s en ayant eu connaissance des \u0153uvres picturales).<\/p>\n <\/p>\n * \u00abLe regard est ce qui d\u00e9finit l\u2019intentionnalit\u00e9 et la finalit\u00e9 de la vision, au sens plein de ces deux termes. Il n\u2019est autre que la dimension proprement humaine de la perception ; il rel\u00e8ve de l\u2019intention, mais aussi de l\u2019attention, et se manifeste dans une constante recherche visuelle. \u00bb Jacques Aumont, <\/em>L\u2019Image, Armand Colin, 2011\u00a0\u00a0 <\/em><\/p>\n [\/et_pb_text][et_pb_gallery gallery_ids=\u00a0\u00bb1598,1600,1601,1602,1603,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1617,1618,1619,1620,1621,1622,1623,1616,1627,1625,1624,1626,1637,1630,1629,1628,1635,1636,1634,1633,1632,1631″ posts_number=\u00a0\u00bb40″ show_pagination=\u00a0\u00bboff\u00a0\u00bb zoom_icon_color=\u00a0\u00bbrgba(224,153,0,0.33)\u00a0\u00bb hover_overlay_color=\u00a0\u00bbrgba(255,255,255,0.5)\u00a0\u00bb _builder_version=\u00a0\u00bb4.18.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbTrebuchet||||||||\u00a0\u00bb text_orientation=\u00a0\u00bbleft\u00a0\u00bb background_layout=\u00a0\u00bbdark\u00a0\u00bb width=\u00a0\u00bb80%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb min_height=\u00a0\u00bb609.4px\u00a0\u00bb custom_margin=\u00a0\u00bb||1px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bbrgba(50,50,50,0.8)\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb custom_padding=\u00a0\u00bb||72px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_button button_url=\u00a0\u00bbhttps:\/\/www.alain-gabriel-bouvier.art\/\u00a0\u00bb button_text=\u00a0\u00bbretour \u00e0 l’atelier\u00a0\u00bb _builder_version=\u00a0\u00bb4.18.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_button=\u00a0\u00bbon\u00a0\u00bb button_text_size=\u00a0\u00bb25px\u00a0\u00bb button_font=\u00a0\u00bbTrebuchet||||||||\u00a0\u00bb button_icon=\u00a0\u00bbD||divi||400″ button_icon_placement=\u00a0\u00bbleft\u00a0\u00bb background_layout=\u00a0\u00bbdark\u00a0\u00bb custom_margin=\u00a0\u00bb-51px|-165px||-165px|false|true\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb saved_tabs=\u00a0\u00bball\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Le silence des oiseauxPr\u00e9senter l\u2019exposition \u00ab Le silence des oiseaux \u00bb est une gageure Comment \u00e9voquer par quelques images l\u2019ambiance d\u2019un espace de 8 m sur 8 m dans lequel les quatre triptyques sont dispos\u00e9s chacun sur un mur tendu de \u00abpendrillons\u00bb noirs. Au centre de cette salle est situ\u00e9e une colonne form\u00e9e de […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1595","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.alain-gabriel-bouvier.art\/index.php\/wp-json\/wp\/v2\/pages\/1595","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.alain-gabriel-bouvier.art\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.alain-gabriel-bouvier.art\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.alain-gabriel-bouvier.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.alain-gabriel-bouvier.art\/index.php\/wp-json\/wp\/v2\/comments?post=1595"}],"version-history":[{"count":4,"href":"https:\/\/www.alain-gabriel-bouvier.art\/index.php\/wp-json\/wp\/v2\/pages\/1595\/revisions"}],"predecessor-version":[{"id":1650,"href":"https:\/\/www.alain-gabriel-bouvier.art\/index.php\/wp-json\/wp\/v2\/pages\/1595\/revisions\/1650"}],"wp:attachment":[{"href":"https:\/\/www.alain-gabriel-bouvier.art\/index.php\/wp-json\/wp\/v2\/media?parent=1595"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}